Cutting bellflower stringing on the Shaper Origin
The Federal cabinetmakers in Hartford and New Haven knew their inlay vocabulary cold — bellflowers ran in regular sequence down the legs of card tables, sideboards, secretaries, and more. The proportion was tight: a flower wide enough to read at three feet, stringing thin enough that the curve didn't break.
What no eighteenth-century maker had was a way to lay out the curve without freehand. Today, a Shaper Origin can hold the line. The question this article addresses is how to do that without losing the period's intent.
The piece walks through layout, wood selection (holly for the stringing, light dye for the bell), depth-of-cut for the recess, and the gluing sequence that prevents the inlay from telegraphing through the satinwood ground. Eight pages, with shop drawings.
Read the full piece in Pins & Tales → members-only